Nikon D4 + Nikkor 50mm f/1.4 — 1/100 sec, f/3.2, ISO 250 — map & image data — nearby photos
Alice Gordenker
Kyoto Station (京都駅), Kyoto Japan
I've been a fan of Alice Gordenker's monthly “So What The Heck Is That? ” column in the Japan Times for years. I first mentioned her writing on my blog more than seven years go when referring to an article she wrote about Gold Poop. (Yes, Gold Poop. Go ahead and read about gold poop, I'll wait.)
She writes a variety of articles for the Japan Times, and also has a blog where she often goes into more detail on whatever the newspaper article was about.
Somewhere along the lines we became acquainted via email, and a couple of years ago I ended up doing some photography for her article about Japanese candles. Finally last month I actually met her for a few hours for a photoshoot.
The photo of her on her blog had been a grainy one from a video frame capture, so while passing through Kyoto on a project , she finally took me up on my offer to take a better photo.
We met at Kyoto Station and we got along great... to use what I think is a uniquely American phrase, she's a real kick in the head.
She'd brought along a parasol that had been in her old blog photo, so we gave it a try for some shots right there at Kyoto Station...
In trying to figure out a nice place to go for the bulk of the shoot, I found that she'd never been to the Fushimi Inari shrine (which I first wrote about six years ago in the appropriately-titled “Kyoto's Dazzling Fushimi Inari Shrine”), so we decided to go there. It's a photogenic place, so I've done photo shoots there before... here and here.
For her blog masthead she needed a very wide short crop, so that's the composition we tried for first, and came up with this:
Nikon D4 + Nikkor 85mm f/1.4 — 1/640 sec, f/1.4, ISO 100 — map & image data — nearby photos
at the Fushimi-Inari Taisha Shrine (伏見稲荷大社)
Kyoto Japan1
It's now gracing the top of her blog.
She's got TV experience, so she's a pro at posing. She even brought a couple of shirts to mix and match looks.
Nikon D4 + Nikkor 50mm f/1.4 — 1/100 sec, f/7.1, ISO 2000 — map & image data — nearby photos
At the Lake
the foreground is way too dark compared to the bright background
( I could recover this much with some aggressive Lightroom adjustments )
Nikon D4 + Nikkor 85mm f/1.4 — 1/200 sec, f/2.5, ISO 4000 — map & image data — nearby photos
Sort of Cliché
but we're there, so may as well try the shot
Nikon D4 + Nikkor 85mm f/1.4 — 1/200 sec, f/3.5, ISO 6400 — map & image data — nearby photos
Relaxed
Nikon D4 + Nikkor 85mm f/1.4 — 1/200 sec, f/3.5, ISO 5000 — map & image data — nearby photos
Back-Cover Sleeve Shot
should she ever write a book
Nikon D4 + Nikkor 85mm f/1.4 — 1/200 sec, f/1.4, ISO 1600 — map & image data — nearby photos
Interviewing the Locals
Nikon D4 + Nikkor 50mm f/1.4 — 1/100 sec, f/2.2, ISO 360 — map & image data — nearby photos
? ? ?
( like I said, we where there, so may as well try it )
Nikon D4 + Nikkor 50mm f/1.4 — 1/100 sec, f/1.4, ISO 3200 — map & image data — nearby photos
Waiting
for the background to clear
Nikon D4 + Voigtländer 125mm f/2.5 — 1/250 sec, f/2.5, ISO 1400 — map & image data — nearby photos
Straight-Up Portrait
It was really too dark to do this kind of shot... by this time it had gotten very darkly overcast and we could hear thunder off in the distance. It turns out that just north of us the main center of Kyoto was getting inundated by a sudden torrential downpour of biblical proportions that claimed books and electronics from friends who got caught in it, but half a mile south we got off with nary a drop.
Back near the entrance we tried some more in the same area where we started...
And that was that. It was a fun time, and a pleasure to finally meet her.
On the way home I noticed that the pillars at the train station were pained as if they were shrine-gate legs...
Nikon D4 + Nikkor 85mm f/1.4 — 1/200 sec, f/1.4, ISO 320 — map & image data — nearby photos
Keihan Fushimi Inari Station (京阪伏見稲荷駅)
If I'd noticed it before, I'd forgotten. (I've posted a shot from the same perspective before, but in B&W). The benefit of being forgetful, I guess, is that you get to rediscover little things like this.